The Synergetic Temperament SystemKenneth HemmerickPages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Octaval Subdivision The synergetic temperament system differs in conceptualization from other systems of temperament. First, it uses a 3-dimensional wave formation to describe the design and behavior of the propagation of sound. Second, it does not use the octaval relationship as the fundamental interval for the structuring of frequencies. Any sub-division of the octave necessitates a root derivative of 2 which, in every case, is always an irrational number. Due to this mathematical phenomenon, the intervalic relationships structured in context of the octave are also irrational. For example if a tone is desired seven octaves above a given tone, the given tone's frequency is increased by a factor of 1:2 to the seventh power or (2)^{7}. When the same procedure is followed, except that the interval of a fifth is substituted in order to obtain the same seventh octave tone, the frequency of the former seventh octave tone is overstepped by a small margin. (2:3)12 or (1.5)12 or 129.74663 which is greater than (2)^{7} or 128 by a factor of the difference of the two intervals. This phenomenon occurs with all intervalic sequential ordering. For an illustration of this behavior see Fig. 11. In this chart, all intervalic sequential ordering should reach an octaval relationship. Fig. 11
The octave is the most perfect consonance, so perfect that it gives the impression of duplicating the original tone, a phenomenon for which no convincing explanation has ever been found, Its singularity becomes apparent if the acoustical frequencies are compared with the series of color frequencies (spectrum), which does not show any duplication. The fundamental importance appears also from the fact that it is the only interval common to practically all scales ever evolved, regardless of the number of pitch of the intermediate steps. ^{5} | Synergetic Temperament System - Home | STS Tonal Sequence (MP3) | Experimental Composition 1 (MP3) | Print Version (PDF) | © 2006 Kenneth Hemmerick |